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Harsh, inventive, horrifying, and desperately sad. Lacks the glorious sprawl of Trainspotting, which directly preceded it, opting instead for what may be Welsh's most tightly-coiled plotting to date. And his greatest sense of conscience, his strongest turn as a social reformer. The ending, through an appropriate scrim of sensationalism, actually manages to be both heart-rending and insightful, in a manner that Welsh rarely manages.
The acclaimed author of the cult classics Trainspotting and The Acid House, Irvine Welsh has been hailed as "the best thing that has happened to British writing in a decade" (London Sunday Times). This audacious novel is a brilliant (and literal) head trip of a book that brings us into the wildly active, albeit coma-beset, mind of Roy Strang, whose hallucinatory quest to eradicate the evil predator/scavenger marabou stork keeps being interrupted by grisly memories of the social and family dysfunction that brought him to this state.
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